Saturday, December 22, 2012

Art in the Kitchen

Art in the Kitchen

What better times than Christmas for announcing kitchen hardware and succeeding in the attempt?

 Yes, the season is here and the timing is right. However, that is not all, as the technicalities of photography take unexpected tolls. One of today's blog key points is the digital background as an alternative to complicated sets or simply as a clever resource.

Lets get down to business by introducing Exhibit A:


I am happy to show this picture as a great example of choosing the clever digital background I was mentioning earlier.

 In this case, any texture or color in the background would disrupt the pristine mixture of chromed sherry and stainless steel. The angle, exposure, contrast and saturation are simply put: perfectly dosed.

I would have never found a matching background which in turn would have demanded more light sources, more editing and more distractions to a product that sells
itself with grace and style without the need of any sort of set props.

So why would you ever bother to choose a background with texture and color?
Well, there are many instances in which you would. Lets introduce without more preamble Exhibit B:

 
On the left there is a great example of the perks you get out of choosing a textured and colored background.

This great combination of earthy colors matching the stainless steel and black makes you want to keep using real backs. This is, a brick and mortar wall which sets the tone accordingly.

I feel this is a proper set,very sharp from every angle and very appropriate for its purpose; ask yourself whether you'd buy this coffee maker even if you'd pay a premium for it?

I would because I want to wake up every morning and smell coffee emanating form this attractive set up. This is called lifestyle I guess.

But nevertheless photography offers plenty of option and for those of you that did not buy my pitch, there is still the clever digital background awaiting on you.

Lets complete the sentence with the following item, Exhibit C:


Very convenient isn't?
The look is very clean, print-friendly and criticism bullet proof. Almost.

If you take a look at it, it is the same setup shown on Exhibit B, only it has a white digital background so no elements would compete with the subject.

Now, this finally explains why I called it the "clever" background, precisely because of that. And it makes sense if you think about it, you are struggling with less elements ans the end result of rewarding. Win-win.

I was going to include in this blog, another shot that was worth the comment, but I will use it for another kitchen special with a different discussion. For now, its been enough of speculation and opinion-hood, so I appreciate your time spent on these lines. Hope it was good feedback and made your wealth of knowledge shinier.

Until the next blog, happy holidays.












 



Tuesday, December 11, 2012

How to Shoot a Bike

Motorcycles have a few years past a century in the market and still a key sales factor is defined by the emotions a picture can trigger. Believe it or not, the angle and background chosen for a shot, sets the mood of the picture and the dream you will develop after taking a glance at the picture.

Lets use the following pictures as examples for the topic in discussion:

Exhibit A


This is a beautiful picture of a vintage Yamaha, a pioneer model to the Enduro saga, garnished with a cold yet colorful background.

This scenery instantly sets the mood and invites the rider or would-be to take a ride before wintertime strikes.

This ideas is valid and risque as well, because winter time is a deterrent to the sport. One could say a cold ride is for the hard-core riders, or for those who take the sport seriously, no matter what. 

To me, it is an invitation to using a different background with a less conflicting concept or a more neutral climate. Remember, the temperature sets the mood along the colors you choose.

The bike is a beautiful model, a balanced structure, classic and modern, passive and wild. Love this machine, especially for those accessories reflecting another era, with all the simplicity of what a motorcycle is. Regarding the angle, is a bit too flat and dull, but its OK because of the classic style of the overall picture concept.

Exhibit B


This is a jewel crafted by the most creative studio on earth called Deuss. They refurbish a used bike and make it shine like new or better, with assertive modifications and cosmetics.

In the picture, you see a dramatic make over on both structural and appearance, keeping the basic retro look intact. 

A mission impossible gone brilliantly well.

But, what a bout the angle? well, it  is a perfect flat frontal angle and the background is cleverly set to white in order to preserve the importance and relevance of the subject. You cant go wrong this way.

My only comment is, given the chromed finish of the fuel tank, the photographer could have used a different background (say a 18% grey) to be able to play with illumination and making the bike look more fashionable. Just a thought.

I like the orientation going leftwards, as a rebel sign and once again, the bike;s design is awesome.

Exhibit C


A combination of the previous comments are embedded in the picture. A pale grey allows for some shades on the ground and the perfectly flat frontal angle along the right orientation, results in a conventional and solid frame.

I would say this is a great way to formally feature a bike, without taking the risks of a more aggressive look.

I can even see real estate available for copy, which in fact could have been more generous on the top or the sides.

Very well groomed bike, polished tires, shinny red trimming on the tank and that timeless Yamaha look.

It is certainly a tough job that of portraying a bike for those who dream and already dare to ride a motorcycle, because at the end, it all goes down to the emotional fulcrum. How to trigger emotions on a picture? good question and the answer comes along the lines a critic shares with others.

There is no last word about featuring emotions through images but, comparing and speculation about the idea opens a path of reference, which can be useful at times and give you some benchmark value for you to start off your project. Good luck.

www.miguelperezphoto.com


Original www.miguelperezphoto.blogspot.com
 
Architecture www.architecturephotographyflorida.blogspot.com

Product www.productphotographyflorida.blogspot.com
 
 
Commercial www.commercialphotographyinflorida.blogspot.com

Food www.foodphotographyinflorida.blogspot.com














Friday, November 25, 2011

The Punch Within Photography

http://miguelperezphoto.com/about-us.html

Commercial photography is the big name for all pictures used to generating revenue through sales. There are many categories and even sub-categories derived from the large dimension they take on development. For instance, advertising photography is a category within commercial and so is food or beer photography.

Regardless of its hierarchy,the undeniable power of an interesting picture is what sells. Let see a good example of my first point:



There is no coincidence about the list of elements poised to do the killing on the unaware viewer who falls prey of this bombshell. Look, no other color than pink on the vest, the lips and the product. Satin silver and matte silver for the rest, and what gives the extra twist on the knife is the copy text.

No wonder Photoshop come with full manipulation of text. You see? the message is clear, nothing is more important than the product, not even the yellow fire is hotter than silver, just a tepid flame before the heat of the product. Strong message huh?


Another KO to the viewer. Who doesn't love a St. Bernard with its tongue sticking out and friendly attitude? Hey, but there's something unusual, instead of a wooden keg, there is a camera and again copy text. No other element surrounds the image, it would be useless. My point just puts the ingredients on the table and the geniuses at the agencies will do the endless trimming.



In case you still have doubts about the easiness which with I described the basic recipe for commercial photography success, here is an over-stitch.  The simple background denotes the power of the punch and the huge subject is the catch.

Then, read between the lines or the fine print and you are already inside the trap. I particularly not to driven by the text, don't really thing those are the magic words but rather stick to the images and let the copy people do their job. One thing is sure, images sell and this is to your business advantage.

Until the next post,

Miguel Perez
Orlando, FL

www.miguelperezphoto.com


Original www.miguelperezphoto.blogspot.com
 
Architecture www.architecturephotographyflorida.blogspot.com

Product www.productphotographyflorida.blogspot.com
 
 
Commercial www.commercialphotographyinflorida.blogspot.com

Food www.foodphotographyinflorida.blogspot.com














Thursday, November 24, 2011

What's Commercial Photography Anyways?

If we have Sports Photography and we have Celebrity Photography then what is the use of Commercial Photography?
Good question and there is a clear answer to that. Firstly, all categories have a close link to Commercial as in general, there is a commercial intent in every picture.

This blog has been accidentally published, but its OK, we will edit it soon.
  
Until then,

Miguel Perez
Orlando, FL

www.miguelperezphoto.com


Original www.miguelperezphoto.blogspot.com
 
Architecture www.architecturephotographyflorida.blogspot.com

Product www.productphotographyflorida.blogspot.com
 
 
Commercial www.commercialphotographyinflorida.blogspot.com

Food www.foodphotographyinflorida.blogspot.com